Hometown: Northampton, Massachusetts Major: Philosophy Minor: Music performance Certificate Program:Ammerman Center for Arts and Technology Activities: The College Voice, Philosophy Club, Hillel House
Favorite aspect of Connecticut College:
The Ammerman Center for Arts and Technology (CAT) is my favorite aspect of Conn. I was admitted as a student scholar to CAT in the fall of my sophomore year, and I’ve loved it ever since. The classes I’ve taken to complete my center requirements have taught me a great deal about what technology is and how it affects our society. They’ve also helped set me further on my path to a career in music and the performing arts. I’ve also been able to make new friendships and deepen preexisting ones by collaborating with the members of my class in CAT.
Favorite memory at Connecticut College:
Playing principal clarinet in the pit during the opening night of the College’s production of Rodgers and Hammerstein’s classic musical “Carousel.” It was a moment when seven weeks of hard work, long nights, and many discussions on the direction of the show finally paid off, and it was the pinnacle of my first year at Conn filled with high points. We also hosted a group of scholars and professionals whose work involved “Carousel,” so getting to play for them and hear their opinions on and experiences with the show was a real treat!
Favorite activity in New London or the region:
Catching a film or show at the Garde Arts Center, a beautiful old movie palace and auditorium in the center of town.
As I write this post, I’m sitting in my room, listening to the Broadway recording of the musical “The 25th Annual Putnam County Spelling Bee” on YouTube. Just over 24 hours ago Connecticut College’s student theater community, Wig & Candle, closed their production of that play in Palmer 202, a black box theater and classroom space that is often used for student productions. The production was so popular that we had to add an additional late night performance. Although I have regularly attended Wig and Candle’s performances, this was my first time actually participating in one; I played clarinet in a reduced pit band of two.
There are many concerts and recitals at the end of each semester, produced by the music and dance departments, student bands or a capella groups, SAC (Student Activities Council), or any of the myriad student groups here. I should know because I usually end up playing in a few of the ones that the music department runs. For me, it’s a bittersweet moment in the semester. Playing in concerts is a fun and invigorating experience, but it’s usually time-consuming with rehearsals and preparation for each performance. It’s also a sign that the semester is getting close to the dreaded finals period. However, playing a concert is about more than just jumping onto the stage of Evans Hall. There are a lot of little things that go into it.
Touring colleges as an admitted student, when I knew that I could study at any of the fabulous schools I was looking at, made me examine them a little differently. Instead of deciding whether a school had given a good enough presentation for me to add it to my growing list of places to apply to, I was able to spend my time looking for small things that would influence my decision.
This past summer, I had an amazing opportunity to write program notes for the Eastern Connecticut Symphony Orchestra (ECSO), a professional symphony orchestra that performs at the Garde Arts Center in downtown New London. Program notes are typically blurbs in the programs classical music concerts that tell the audience the history of the music they’re about to hear, and what they should look out for when listening to it. Through my work with the symphony, I’ve been able to make important professional connections and learn more about the world of arts administration, all while writing about and listening to some great music.
This past fall I was accepted to the Ammerman Center for Arts and Technology as a student scholar. The Center is one of the five academic centers on campus, which provide resources to students and faculty doing interdisciplinary work on a specific subject. This is the second in a regular series of posts I’ll be writing during spring semester about finding my path as a new member of the Center (read post 1).
I’m afforded plenty of opportunities to hear my clarinet professor, Kelli O’Connor, perform at Connecticut College. Most recently, she played in two pieces in the music department’s February faculty recital, including Mozart’s well-known “Kegelstatt” Trio, and last December she was a featured soloist with the orchestra’s string section during our fall concert.
This election year is an incredibly important and educational moment for the country and in my Conn experience. Like many of my fellow Camels, this is my first time voting in a major election, and I enjoy the support that we as students give each other as we make important decisions about casting our ballots. If you have the opportunity to vote this election you may feel, like I do, that selecting candidates who will do the things that you want them to do is tough, no matter how clear the outcomes appear. I have had several conversations with friends about the importance of learning about the candidates and issues when voting, no matter how polarized our politics. These conversations are important as I learn about becoming an informed and responsible citizen.
As a sophomore, I applied and was accepted to the Ammerman Center for Arts and Technology, one of the five academic centers on campus that provides resources to students and faculty doing interdisciplinary work on a specific subject. This year I’m working on my Senior Integrative Project (SIP). SIPs are year-long independent studies for seniors in the College’s four center-certificate programs that culminates in a final performance or installation from each senior in the spring. My project is to develop a piece of classical music where audience members get to participate. Learn more about my journey as an Ammerman Scholar.
One night during Fall Break I decided to treat myself to a carton of Ben & Jerry’s from the corner store near my house. When I returned, my mom pointed out that eating ice cream must be a rare treat for me with my meal plan at Conn. “Of course not!” I responded, “There’s always ice cream available in the dining hall. We even have a sundae bar every Sunday.”
As I’ve mentioned previously, this summer I was the public relations intern at The Glimmerglass Festival, an internationally acclaimed summer opera festival near the Otsego Lake in Cooperstown, New York. Glimmerglass presents four fully staged operas each season and many other events including recitals and lectures. My internship had many responsibilities, especially after the season began. I wore many varied hats including assisting with media communications and being the point person for the lost and found.
This semester I decided to compete in the Concerto Competition, which gives one winning student the opportunity to be featured in the Connecticut College Orchestra Spring Concert performing a concerto or vocal piece every year. My clarinet professor, Kelli O’Connor, and I had made a somewhat spur-of-the-moment decision in late January that I should enter it this year, so I could experience competing in it.
“You must be the change you wish to see.” – M. K. Ghandi
I live my life by this quote because it challenges me to take action to make the world a better place. Its philosophy is also a driving force behind Green Dot training here on campus, which I recently completed. Green Dot is a national organization that works to prevent power-based personal violence, such as sexual assault, domestic and dating violence and stalking, in communities throughout the country. I’m glad that Connecticut College has a robust Green Dot chapter, with about a quarter of students who have undergone training. My friends who completed the training encouraged me to do it for months, so when I got an email about a session that worked with my schedule, I signed up for it.
For two weeks in November, Connecticut College Asian & Asian American Students in Action (ASIA) hosted ORIGINS: An Asian Arts Festival, a first for both the club and Conn. The festival brought many amazing cultural opportunities to campus, including a lecture by internationally renowned Chinese artist Xu Bing, a food making workshop, and a student art exhibition in Coffee Grounds, one of the coffee houses on campus.
I skim every email I receive, even newsletters that seem to come into my inbox solely for me to delete them. However, in a recent copy of “What's New at Shain Library,” a weekly newsletter detailing events, lectures and exhibits taking place at the College’s library, an announcement for a community reading of Harper Lee’s “To Kill a Mockingbird” in honor of Banned Books Week piqued my interest. I contacted Carrie Kent, who organized the reading, and volunteered to read for 20 minutes near the end of the day.
Perhaps the passage I felt most at home within this summer’s Connecticut College reading, Yaa Gyasi’s graceful historical fiction novel “Homegoing,” came in the very last chapter of the book, which focuses on Marcus, a graduate student working on his doctoral thesis at Stanford University. A few pages into the chapter, the narrator explains that “Originally [Marcus had] wanted to focus his work on the convict leasing system that had stolen years off of his great-grandpa H’s life”. However, the narrator goes on to explain that Marcus felt he would also have to write about the Great Migration, which his grandparents participated in when they moved from Pratt City in Birmingham, Alabama, to Harlem in New York City. Writing about the Great Migration would in turn make Marcus feel he should also write about histories that had affected his father’s and his lives, specifically the effects of heroin, crack-cocaine and the war on drugs in Harlem.
The end of the semester is always a busy time for me, and, as I’ve previously written, one of the highlights of this period are the various music department end-of-semester concerts and recitals that I participate in. No matter how intense it gets, the end of semester orchestra concert is still a great highlight and culmination of my hard work. This past semester’s performance was particularly special for me as it presented an impromptu opportunity to play with some of the best musicians in the country—three members of the U.S. Coast Guard Academy Band’s trombone section led by Sean Nelson, who is the music department’s trombone professor, in addition to Connecticut College’s own Gary Buttery on tuba, who served as the Band’s principal tubist from 1976-1998. The group constituted our orchestra’s low brass section for our performance of Antonin Dvorak’s Eighth Symphony.
As a sophomore, I applied and was accepted to the Ammerman Center for Arts and Technology at Connecticut College. The Center is one of the five academic centers on campus that provide resources to students and faculty doing interdisciplinary work on a specific subject. Learn more about my journey as an Ammerman Scholar.
This semester has been busy and challenging for me. I’m preparing a senior recital for the Department of Music to be presented Sunday, April 14, and I’m planning to perform my Ammerman Center for Arts and Technology Senior Integrative Project as part of that recital. This decision has set a major deadline for when the majority of the projects I’m working on for senior year need to be ready to be presented. While it's daunting to realize that I’ll soon be on the stage of Evans Hall performing an hour of clarinet music and my finished project for the Ammerman Center, I’ve realized as the recital nears that preparation comes in baby steps.
One of the strange, interesting, and unexpected experiences I have each semester at Conn is making connections across classes that initially appear to be completely unrelated. I believe that doing this is in keeping with Conn’s nature as a small liberal arts college. Many of my classes draw students from a wide variety of backgrounds and majors, which means that I get to hear how those students draw connections between their interests and the class subject material such as a biology major’s take on Aristotle’s De Anima. There are plenty of subjects that I’ll never take classes in, but I still hear how they connect from students who are passionate about them. Part of the aim of our new curriculum, Connections, is to get all students to look at the similarities between seemingly unrelated subjects. I’m envious of future Conn students because I wish I could experience some of the ways Connections will continue to transform the way we learn. The curriculum was launched in 2016, so this year’s incoming class will be the first to experience it throughout their four years.
As our nation works to understand the implications of the election results, students throughout the country have been meeting with deans and other administrators to discuss its impact. Here at Conn our administration has been proactive in learning about the needs of our community. The day after the election, less than twelve hours after Donald Trump was declared president-elect, I attended Lunch with the Deans with Jefferson Singer, John McKnight, and Victor Arcelus, the deans of the College, Institutional Equity & Inclusion, and students respectively.