Despite my enthusiastic participation in it, I will never hesitate to say that a cappella is probably the weirdest extracurricular I have done in my life, excluding my scarring musical theater days. The universal love of singing attracts unlikely groups of people, and although it’s not quite as dramatic as the movie “Pitch Perfect,” a cappella culture is fascinating. I got an in-depth look at this phenomenon during spring break when I visited Williams College and Brown University with my group, Vox Cameli, during our “Premiere Tour.” While we graced these campuses with our lovely voices, I realized my favorite part of a cappella occurs once the performances are over; a cappella after dark. I’ve found that the only thing that can be expected to occur after a performance is a sing-off, the result of two singing groups realizing they’re too awkward to socialize.
In the beginning of my first semester at Conn, I joined the club Ultimate Frisbee team, and even though the spring tournaments Riptide and High Tide were months away, returning team members talked constantly about how great spring break was going to be. So I knew I was in for a fun time when I set out to spend my spring break with 40 of my friends.
There are moments when I look back with amazement at the many performances and lectures I have been to in my short time at Conn. Recently, I saw three powerful performances on campus all in one week: on Monday the Ammerman Center sponsored a visit by famed performance artist Guillermo Gomez-Peña. On Friday, I saw the theater department’s production of Mark Blitzstein’s “The Cradle Will Rock,” and on Saturday I went to the Women’s Empowerment Initiative performance of their 2017 show “She is a Tempest.” These three performances dealt with difficult themes, such as dividedness, inequality and oppression, and inspiring ones, such as effecting change, empowerment and living life to the fullest.
Since coming to Conn, I have become a professional novice, frequently trying out new experiences to find my place within the community. My first semester here I joined the Ultimate Frisbee team and tried out for the improv comedy group N2O. Second semester I tried out for “She is a Tempest,” the Women’s Empowerment (WE) Initiative’s annual show.
“You must be the change you wish to see.” – M. K. Ghandi
I live my life by this quote because it challenges me to take action to make the world a better place. Its philosophy is also a driving force behind Green Dot training here on campus, which I recently completed. Green Dot is a national organization that works to prevent power-based personal violence, such as sexual assault, domestic and dating violence and stalking, in communities throughout the country. I’m glad that Connecticut College has a robust Green Dot chapter, with about a quarter of students who have undergone training. My friends who completed the training encouraged me to do it for months, so when I got an email about a session that worked with my schedule, I signed up for it.
Before I arrived at Connecticut College, I had never really been interested in hearing the sound of my own singing voice, perhaps because my older sisters never hesitated to tell me it was similar to a cat in heat. Even so, I decided to audition for an a cappella group last year, just for fun. I must say that I was EXTREMELY surprised when I was accepted into the amazing group that is Vox Cameli. I didn’t realize that a cappella is sort of a hot commodity on the East Coast, with groups frequently being the entertainment at Conn’s events. While I’m quite confident that only one-third of the notes I sing are ever right, that hasn’t stopped me from getting on a stage yet, and our performance for Green Dot Week was no exception.
It’s my theory that growing up in an urban environment causes people to have an inherent connection to music and dance, although not everyone is blessed with the rhythm to match. As a result, while I may walk and run with stiff, questionable posture, I can bust quite a few unexpected moves on a dance floor. It could also happen to be in my room, kitchen, a hallway, while running on the treadmill; anywhere I can listen to music doubles as my shameless stage. Generally, I avoid doing so in front of large groups of people, but last weekend I had to power through my anxiety to audition for Eclipse, the largest student-run dance show, for my final year at Conn
I have never really been much of a skier—in fact, the first time I skied was in the 10th grade on a high school ski trip. Since then, I have skied a handful of times, maybe four or five, and have not achieved much greatness in these endeavors. That is to say, I fall a lot when I ski. A lot.
There are many concerts and recitals at the end of each semester, produced by the music and dance departments, student bands or a capella groups, SAC (Student Activities Council), or any of the myriad student groups here. I should know because I usually end up playing in a few of the ones that the music department runs. For me, it’s a bittersweet moment in the semester. Playing in concerts is a fun and invigorating experience, but it’s usually time-consuming with rehearsals and preparation for each performance. It’s also a sign that the semester is getting close to the dreaded finals period. However, playing a concert is about more than just jumping onto the stage of Evans Hall. There are a lot of little things that go into it.
It’s Friday night, you’re in Olin basement and an improv show is about to begin. Whether it’s Scuds or N2O, the main improv groups at Connecticut College, going to an improv show at Conn is an intimate experience. The shows almost always take place on Friday nights— traditionally a night in which student activities are abundant. So, the scene is this: hanging out with your friends and undoubtedly lots of other people you know in a smallish lecture hall, cheering for your pals up there on stage.